Join PulpFest 2015 at the beautiful Hyatt Regency in downtown Columbus, Ohio, beginning on Thursday, August 13th and running through Sunday, August 16th, for a salute to H. Howard studies popular culture scholar Rick Lai, who regularly appears as a panelist on podcasts produced by THE LOVECRAFT eZINE Professor Tom Krabacher of California State University, Sacramento and a member of the Pulp Era Amateur Press Association and Nathan Vernon Madison, a researcher involved in The Pulp Magazines Project and author of the Eisner-nominated ANTI-FOREIGN IMAGERY IN AMERICAN PULPS AND COMICS for a presentation entitled “The Call of Cthulhu: The Development of Lovecraft’s Mythos.” Scheduled for Friday evening, August 14th, at 9:50 PM, our panelists are promising a lively discussion that will explore the inspirations and origins of the Cthulhu Mythos as opposed to the Lovecraft’s Mythos and the Mythos of his contemporaries, as well as the controversies and personalities involved with these ideas over the years. Haefele, author of A LOOK BEHIND THE DERLETH MYTHOS, a critically acclaimed account of the birth of the Cthulhu Mythos Don Herron, editor of the scholarly landmark, THE DARK BARBARIAN, and winner of the 2006 Black Circle Award for lifetime achievement in Robert E. Lovecraft, PulpFest 2015 is proud to welcome John D. His stories are known the world over and though he lived much of his life in poverty, Lovecraft’s words and ideas have been transformed into a multi-million-dollar industry.Īs part of its celebration of the 125th anniversary of the birth of H. His fiction became more widely read and popular, leading to adaptations in a variety of media including motion pictures, television, comic books, role-playing and video games, and even action figures and other toys. The New Englander’s visions increasingly came under the microscope of academia and amateur scholars. “All my stories, unconnected as they may be, are based on one fundamental lor or legend: that this world was inhabited an one time by another race, who in practicing black magic, lost their foothold and were expelled, yet live on outside, ever ready to take possession of this earth again.”Īlthough Derleth may have corrupted Lovecraft’s “synthetic folklore,” twisting it away from its author’s intent, he also helped to popularize Lovecraft’s fiction through his Arkham House Publishers, significantly expanding Lovecraft’s reputation. Other writers, notably Lin Carter and Brian Lumley, continued this process, basing their work on what Lovecraftian scholars have labeled, “the black magic quote,” purportedly written by Lovecraft: Derleth’s “Cthulhu Mythos,” as the story-type came to be known, shifted away from Lovecraft’s nihilistic universe toward a more “good versus evil” backdrop. In later years, particularly following the death of “the old gentleman,” August Derleth worked to expand Lovecraft’s so-called “mythos,” albeit shaping it in a way that some scholars claim to be a corruption of the original author’s intent. Thus our black pantheon acquires an extensive publicity & pseudo-authoritativeness it would not otherwise get.” Also, I sometimes insert a devil or two of my own in the tales I revise or ghost-write for professional clients. “All of our gang frequently allude to the pet daemons of the others - thus Smith uses my Yog-Sothoth, while I use his Tsathoggua. Howard, Robert Bloch, Frank Belknap Long, Henry Kuttner, and August Derleth. “I think it is rather good fun to have this artificial mythology given an air of verisimilitude by wide citation.” Some of the authors who responded with their own “Cthulhu” fiction were Clark Ashton Smith, Robert E. During this period, Lovecraft invited other writers to pen their own tales using the “synthetic folklore” he had created. In the years remaining to Lovecraft following the publication of “The Call of Cthulhu,” he expanded on its themes in such tales as “The Whisperer in Darkness,” “At the Mountains of Madness,” and “The Shadow Out of Time,” depicting a universe of mind-numbing horror that was a reflection of his own materialistic atheism. Although three related stories predated it - “The Nameless City,” “The Hound,” and “The Festival” - in what has come to be known as “ The Cthulhu Mythos,” “The Call of Cthulhu” is a seminal work of its author. As writer and Lovecraft correspondent Fritz Leiber observed, “Here for the first time, Lovecraft moves horror from the realm of Earth to the stars.” Lovecraft wrote “The Call of Cthulhu.” Initially rejected by WEIRD TALES editor Farnsworth Wright, it was first published in “ The Unique Magazine” in its February 1928 issue.
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